Knowledge and wisdom, far from being one,
Have ofttimes no connection. Knowledge dwells
In heads replete with thoughts of other men;
Wisdom in minds attentive to their own.
Knowledge, a rude unprofitable mass,
The mere materials with which wisdom builds,
Till smoothed and squared and fitted to its place,
Does but encumber whom it seems to enrich.
Knowledge is proud that he has learned so much,
Wisdom is humble that he knows no more.
—William Cowper, The Task, book 6, lines 88-97
There is in souls a sympathy with sounds,
And as the mind is pitched the ear is pleased
With melting airs or martial, brisk or grave;
Some chord in unison with what we hear
Is touched within us, and the heart replies.
How soft the music of those village bells
Falling at intervals upon the ear
In cadence sweet, now dying all away,
Now pealing loud again, and louder still,
Clear and sonorous as the gale comes on.
With easy force it opens all the cells
Where memory slept. Wherever I have heard
A kindred melody, the scene recurs,
And with it all its pleasures and its pains.
—William Cowper, The Task, book 6, lines 11-14
I’ve long been interested in William Cowper’s labyrinthine personality—the juxtaposition of grace and despair in his soul. I’ve been interested enough to read his shorter verse—including his Olney Hymns, published with John Newton (“Amazing Grace” is the most famous of those). And just today I grew interested enough to read Cowper’s The Task, a major poem of six books of about 800 lines each that started out as “a trifle.” Here’s what he said about it in the advertisement for its publication in 1785: (more…)
I just finished my third reading of C. S. Lewis’s An Experiment in Criticism. I read it first in 1993, then in 2003, then today. It may seem strange to return so often to a book of literary criticism—but for me it is a way to keep me grounded, to remind myself why I read. For example:
Those of us who have been true readers all our life seldom realize the enormous extension of our being that we owe to authors. We realize it best when we talk with an unliterary friend. He may be full of goodness and good sense, but he inhabits a tiny word. In it, we should be suffocated. My own eyes are not enough for me, I will see through the eyes of others.
… Soft breathes the air
Mild, and meadowy, as we mount further
Where rippled radiance rolls about us
Moved with music—measureless the waves’
Joy and jubilee. It is JOVE’s orbit,
Filled and festal, faster turning
With arc ampler. From the Isles of Tin
Tyrian traders, in trouble steering
Came with his cargoes; the Cornish treasure
That his ray ripens. Of wrath ended
And woes mended, of winter passed
And guilt forgiven, and good fortune
Jove is master; and of jocund revel,
Laughter of ladies. The lion-hearted,
The myriad-minded, men like the gods,
Helps and heroes, helms of nations
Just and gentle, are Jove’s children,
Work his wonders. On his white forehead
Calm and kingly, no care darkens
Nor wrath wrinkles: but righteous power
And leisure and largess their loose splendours
Have wrapped around him—a rich mantle
Of ease and empire.
—the Jupiter [Jove] section of “The Planets,” C. S. Lewis
I
The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me:—
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self-chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?—
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow’s foot lay surely gold,
And hope felt strong and life itself not weak.
II
Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.
III
Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time’s winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanitive;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
he bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?
—Christina Rossetti
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Can you see the wings? In case your monitor is too heavy to turn sideways, here are the words of George Herbert’s “Easter Wings,” printed for readability: (more…)
Philosophers have measured mountains,
Fathom’d the depths of seas, of states, and kings,
Walk’d with a staff to heaven, and traced fountains
But there are two vast, spacious things,
The which to measure it doth more behove:
Yet few there are that sound them; Sin and Love.
Who would know Sin, let him repair
Unto Mount Olivet; there shall he see
A man, so wrung with pains, that all his hair,
His skin, his garments, bloody be.
Sin is that Press and Vice, which forceth pain
To hunt his cruel food through every vein.
Who knows not Love, let him assay,
And taste that juice, which on the cross a pike
Did set again abroach; then let him say
If ever he did taste the like.
Love is that liquor sweet and most divine,
Which my God feels as blood; but I, as wine.
—George Herbert
The Altar
A broken ALTAR, Lord thy servant rears,
Made of a heart, and cemented with teares:
Whose parts are as thy hand did frame;
No workmans tool hath touch’d the same
A HEART alone
Is such a stone,
As nothing but
Thy pow’r doth cut.
Wherefore each part
Of my hard heart
Meets in this frame,
To praise thy Name:
That if I chance to hold my peace,
These stones to praise thee may not cease.
O let thy blessed SACRIFICE be mine,
And sanctifie this ALTAR to be thine.